Download e-book for iPad: A Man of Parts: A Novel by David Lodge

By David Lodge

ISBN-10: 1101544260

ISBN-13: 9781101544266

A riveting novel concerning the impressive life-and many loves-of writer H. G. Wells.

H. G. Wells, writer of The Time laptop and battle of the Worlds, was once one of many 20th century's such a lot prophetic and artistic writers, a guy who immersed himself in socialist politics and unfastened love, whose meteoric upward push to repute introduced him into touch with crucial literary, highbrow, and political figures of his time, yet who in later years felt more and more overlooked and upset in his personal utopian visions. Novelist and critic David inn has taken the compelling real tale of Wells's lifestyles and reworked it right into a witty and deeply relocating narrative a couple of interesting but wrong man.

Wells had sexual kinfolk with innumerable girls in his lifetime, yet in 1944, as he reveals himself death, he returns to the stories of a opt for workforce of other halves and mistresses, together with the bright younger scholar Amber Reeves and the proficient author Rebecca West. As he reports his specialist, political, and romantic successes and screw ups, it truly is via his stories of those ladies that he involves comprehend himself. Eloquent, attractive, and delicate, the radical is an artfully composed portrait of Wells's remarkable existence, with brilliant glimpses of its turbulent old history, by means of considered one of England's most beneficial and well known writers.

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Cette traduction pointe sa nature fictive au sens premier du terme : celui du feindre, peu importe qu’il s’agisse de littérature ou de projet historiographique. « Mise en intrigue » souligne surtout le procès à la base du muthos. Car le récit, en tant que muthos, est le résultat d’une opération, d’un agencement des faits en système. Le récit ne se donne comme activité mimétique54 qu’au terme d’une série d’opérations qui parviennent à structurer un ensemble de faits en une unité. Nous l’avions noté avec Jean-Michel Adam, cet agencement des faits (cette intrication) se distingue d’autres agencements par divers caractères spécifiques : la représentation de l’agir humain doit former un tout autour d’une transformation de situation.

L’acte de lecture est central, il « achève l’acte configurant ». L’œuvre, faut-il encore le rappeler, n’est jamais qu’esquisse, instructions pour la lecture70. La lecture est l’opérateur qui joint mimèsis II et mimèsis III. Ce que les récits apportent, selon Ricoeur, « c’est un “ faire ” une opération que le lecteur répète…71 ». Cette réinscription du monde du récit dans la réalité pratique pouvait laisser craindre le danger d’un cercle vicieux par effet de redondance, où mimèsis III ne ferait que « retrouver » les conditions existentielles définies lors de la mimèsis I.

43 Adam, 1994, op. , p. 443. 44 Cette perspective se trouve au centre de sa contribution « Une alternative au « tout narratif » les gradients de narrativité », Recherches en communication, loc. , p. 11-35. 28 Images du récit par exemple, la façon dont un texte narratif précis (tel fait divers, telle confession) insiste davantage sur certaines macropropositions et / ou fait l’économie d’autres. L’idéalité de la séquence narrative lui confère cette propension à cerner les « écarts » que les pratiques singulières investissent pour répondre à des objectifs précis.

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A Man of Parts: A Novel by David Lodge

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