100 Ultimate Blues Riffs - download pdf or read online
By Andrew D. Gordon
This most sensible promoting e-book, a hundred final Blues Riffs via Andrew Gordon is an exhaustive consultant to a few of the simplest musical words that make up blues piano/keyboard taking part in. There are 5 sections damaged down into:
* easy Blues riffs
* R&B encouraged Blues riffs
* Boogie Woogie
* Rock motivated Blues riffs
* Gospel prompted Blues riffs The 12 bar Blues development and the Blues scale are defined. There are accomplished songs in the back of the ebook that exhibits tips to mix the various riffs to shape a tune. many folks have commented that this is often the simplest Blues keyboard product that they've ever used. A needs to for all degrees of keyboardists that are looking to examine the blues. All a hundred "riffs" are recorded with the piano correct hand at the correct channel and the piano left hand at the left channel besides a drum tune. find out how your favourite Blues keyboardists play together with Dr. John, Leon Russell, Chuck Leavell, Jimmy Yancey, Meade Lux Lewis, Otis Spann, Nicky Hopkins and lots of extra!
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Additional resources for 100 Ultimate Blues Riffs
21 A five-member instrumental ensemble in standard performance position is shown in Fig. 4. Note that the instrument types in the Minnan ensemble are very close to those of Chaozhou xiyue, though without zheng zither and always with dongxiao flute. Nanguan music is performed in homes and clubs for self-entertainment, and for 18 These terms are not absolutely fixed within their locales, for I have heard Quanzhou musicians refer to nanguan, and Taiwan musicians refer to xianguan. 19 The other Minnan genres are known as zhi (literally ‘finger’), over three dozen mono-sectional pieces with texts but usually performed instrumentally, and qu (‘song’), many hundreds of short lyric songs which are sung with instrumental accompaniment.
36 For an insightful discussion of the internal dynamics of amateur music clubs in the Chaozhou region, see Dujunco 1994: 116ff. 24 chapter one staged in connection with the lunar new year and other celebrations, and occasionally in ancestral temples as well (Chapter Two). Minnan chamber music is performed at similar commemorative events, but also in honor of local Buddhist gods (notably, for Mazu, goddess of seafarers), staged within the compounds of Buddhist temples. With the building of concert halls and growth of professional ensembles during the mid-20th century, most traditions are now performed in halls for a ticket-buying public.
7 YUELUN: the confucian foundation 31 interpretations, together with regional beliefs. Already well developed by the Song dynasty, auspicious numbers such as five, eight and twelve were employed in explaining natural phenomena, in relating cosmology to everyday life, and in foretelling the future. 9 The essence of this numerology is merely outlined below, its many musical manifestations treated in greater detail in the chapters to follow. The unit one, anciently believed to represent the basic principle of ‘the way’ (dao), a sort of cosmological foundation, is considered the source of all things Chinese.
100 Ultimate Blues Riffs by Andrew D. Gordon